Reflections on outness 2: a game of you

When I wrote the first Pride month post, I had vaguely planned on writing a series of them. But life got in the way and to be honest, I couldn't really come up with anything around which to crystallize another post. Then yesterday the following picture popped up on facebook:

It is the cross-stitch sampler my aunt made as a wedding gift for my husband and mine's wedding. And, with my aunt's recent passing, and Pride month, I was once again struck by its singular power as a cultural artefact.
For that cross-stitch sampler is undeniably, unequivocally from one place: Alsace, the region of France my mother comes from. The motifs, the use of red thread on white cloth, the costumes worn by the two figures are found on hundreds of such similar wedding gifts made throughout Alsace over the centuries. My brother and sister each have one. My aunt herself had one. And she would have learnt how to do this from her mother and aunts, who would have learnt it from their mother and aunts.
My aunt always claimed she had no creativity: she just researched and reproduced Alsatian motifs from books and museum exhibits. And yet in this, she must have created. For as much as this object is undeniably, clearly Alsatian, yet in another I am almost certain there are no two like it. In the simple, radical gesture of putting two male figures in the center, my aunt changed the pattern. In doing so, she did two things: reaffirmed my identity as an Alsatian man, and expanded the iconography, and indeed to some entire scope of Alsatian identity. She argued, through this, that traditions could be expanded, that identities were compatible.
A similar thing happened at the London wedding we held a few months after our wedding in West Virginia for those friends and family who couldn't make it to America. That wedding was held in my old church. The church my siblings and I were all confirmed in. The church on whose council my mother sits. It is an old church, with a complex history: founded by French protestants (Huguenots) fleeing persecution under Louis the XIVth four hundred and fifty years ago, it has survived in London's Soho, serving a complex community of recent French expats, and old Huguenots families tied together primarily by a shared history. It is not exactly the most active, or radical of churches.
After a debate, the church agreed to celebrate our marriage. It was a full wedding ceremony. And, suddenly, our gay marriage was also, well, the marriage in my family's church, with all the trappings and politics that entails. As I joked, I am the only one my mother's three children to have had a good French protestant wedding. And it was true. Even as it was also an expansion of what a good French protestant wedding can be.
There is a lot of discussion at every Pride about identity, and assimilation, and passing. Much of it is important, and sad. And some of it reflects false dichotomies. There is no a priori reason that traditional identities of culture, religion, and family cannot be expanded to include new identities of gender, and sexuality. Yet that requires a transformation, an expansion of the old culture. And that comes through the willingness of individuals to expand their definitions, to invent new iconographies and languages and symbols, to say "You are gay, and you belong, and you are welcome".
Identities are complex things. We all have many, and they exist in tension. But, as I have known since someone first asked me "which are you more, French or English?" those tensions derive primarily from the boundary policing of identity by others. My aunt's cross stitch sampler is a reminder we always have the power to go another way: not to police the borders of identity and community, but to open them with gifts of welcome.

Reflections on outness 1: ten years

As I sit down to write a post on this pride month, the realisation suddenly strikes me: I've been out for ten years. The coincidence seems too unlikely, too easy, so I reach for my diary. Volume III. Tuesday March 26 2007. The day I told her.

I told my mother first. It is not a path I recommend if it can be avoided. But coming out narratives are personal, and shaped by factor beyond the sexuality of the individuals involved. My own family history had made secrets a dangerous, toxic, poisonous thing. If I wanted to be able to rebuild from this, I could not keep this a secret from her. Not once I'd decided to act on it. And meeting a boy will suddenly make the insurmountable seem inevitable.

It was not an easy conversation... and it did not end for many many years. It was mostly, other than on a few fateful occasions, had in things unsaid. Silences on the phone. Requests made in passing. Awkwardly formal lunches. It was not, by any outside standards, a difficult coming out. But it required finding a language to speak about things we had never spoken about. And it coincided, I think, with an emancipation of mine. I could not put my life on hold forever, on so many fronts. Eventually, sooner perhaps than either of us expected, she caught up with me. And, as is her wont, has more than kept pace. She has broken down doors for me and my husband now. How little I thought, in that awkward, tense, angry conversation ten years ago, when so much was not said, that might be the case.

It is a difficult balance, working with people who you love who are coming to terms with something they have never really bothered to think about. You come, the son, the brother, the friend, that they think they know so well, and you tell them that you are not what they have assumed. And yet, on the other hand, you remind them, over and over and over, that you are who they know. To comfort them yes, but also because it is true. I was the classic good gay boy: I built a defence from my goodness. My good grades, my kindness, the fact I didn't get in trouble. But those things pre dated my emergent sexual anxiety. They were there to be used as weapons and defences and bargaining chips once the revelation of my differentness came, but those were exapted functions.

To me, coming out was not a clean break with my previous self. Psychologically, it was a long and complex process, rooted in a complex relationship with men, women, and masculinity. You cannot be raised with two very different concepts of masculinity and femininity (the French and the British) and not interrogate those concepts and what they mean, how they function, how they affect you as a person. And my father's abandonment of us in my early teens did not simplify matters. And so to this day, that brief version of me who existed from 2001 to 2006, who called himself "straight, but took a while to get there", I consider authentic and valid. He was doing the best he could with a psychology that was complex, in an environment that demanded simplicity. An environment that reduced attraction to sex.

A few months after I came out, I moved to America. To this day I do not know if the two events are linked. Was my burgeoning awareness of my differentness a hidden motive behind my resolve to leave? Did the realisation I was leaving precipitate an awakening, a coming to terms? All I know is that I have never felt so lost and rootless as a person as I did my first year in America, despite the intellectual satisfaction of grad school. I remember writing that I felt like a mist, less and less certain of what I was or who I was. In the end, I rooted myself again not through a new found identity, but through a project of going through all my papers and scraps of life since high school and scrapbooking my own life. Rebuilding the continuity I felt I had broken by being different, and by leaving.

I am fortunate now. That break is barely visible. All the friends and family I knew before I came out are fully woven into the new life, mingling with the new ones. My out self, my closeted self, my not gay self, almost seamlessly woven together again. If there is perhaps a slight unevenness in the tapestry, where things had to be woven together after the fact to hide a tear, well, no one notices.